How to paint some awesome drawings. While the old days still fly, five artists portray the rose as an ephemeral subject and an enduring symbol and make it look new. The following is a free excerpt from the article Gather Ye Rosebuds.
Tips for painting roses
Photographs for color reference
Once you have learned to draw from life, you can use the photographic references uploaded to your computer. These references are useful to determine and represent shades of color. —Colin Berry
Rotate the card
Rotate your painting so you can find your balance. If you’re not satisfied with what you’ve done, place a mat over a section so you can see the color, shape, and shape and get a better perspective. —Birgit O’Connor
Choose the largest brush
I deliberately chose a brush a little larger than what I initially achieved because it is important to consider the full effect. Work the whole image; resist the urge to be too focused or detailed- Dana Levina
The shape of the roses
Roses have a structure that lacks the gesture and dramatic movement that I find in sunflowers. Therefore, roses require a different approach to painting. Composition, texture, and color become the main manipulation methods rather than gestures. —Jimmy Wright
Work with reference materials
I wish I had thought about it! Most of us, at any point, have revealed this feeling by looking at someone else’s creative work. However, what we do with this thought can turn mere admiration into plagiarism. When it comes to art, imitation is not a form of flattery. It is copyright infringement. As an artist, I especially enjoy building stories through narrative paintings, constructing twisted settings with diverse and often unexpected objects, subjects, and symbols. My style is more striking than traditional, and my compositions often include unrealistic twists in their arrangements. I don’t mind if the spectator reads the story I’m talking about. I don’t explain my plot or my message when asked, but I encourage viewers to find their interpretations. It is amazing to hear their explanations. Due to a painting of ravens, I have even been accused of being a Wiccan.
Sometimes I build my story from an image that inspires me, such as an object in a photo or an advertisement in a magazine or a book. Sometimes the story stems from a preconception deeply ingrained in the darkness of my skull. I like to invent fictional characters and scenes. However, when I need to be more demanding, I often run into the problem of finding good topics to work on. And that’s when I look for reference materials that can suit my purpose.
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The border between inspiration and plagiarism
Since copyright law is such a hot topic and a legitimate concern, this practice is very risky, especially in light of the vague definitions given by the courts. Artists must interpret the terminology as substantial similarity and fair use and determine whether our work qualifies as a parody or whether painting a Disneyland scene or a Harley-Davidson motorcycle would result in legal punishment. Urban myths and misconceptions about what is and is not copyright infringement abound to confuse the subject of copyright further. You’ve heard a few, like the one about changing the original color, composition, background, or medium by an arbitrary percentage. However, if the common observer can recognize it as a derivative, you are in trouble!
However, I would say that the greatest non-real-life artists have a file cabinet full of reference sad drawings easy photos drawn from many print resources. I make. I’m also sure those same artists save the photos of the artwork for inspiration. I make. However, what I don’t do is copy the photos. You could use the artist’s color palette, an interesting texture, or a variation on a concept. By the way, you can’t protect an idea. Take, for example, Thomas Arvid’s popular wine bottle oil painting series; now, many artists have adopted this theme to create their works, some even working in the Arvid style. Since the bottles, accessories, and compositions differ by artist, it is legal. For this article, I have developed a painting using elements from various references. I admit that I feel very brave to share them with you in such a public forum.
Below I have identified the references I used for the various elements:
- I used two birding reference books for blackbird pictures, flipping this one over.
- I used the plan from an object in Architectural Digest.
- Inspiration for the piano came from a photo in the Palette & Chisel Gallery in Chicago.
- I manipulated a glass image from Architectural Digest in Photoshop to change its shape.
- The cage was featured in an advertisement for Family Circle magazine.
- My reference to the woman came from an ad in Art Business News.
- A Peter Adams painting inspired the ocean scene in the inset behind the woman.
- Sky colors from a photo in Advanced Development were used in history and set the mood for the painting.
- The idea for descending apples came from an ad in Architectural Digest.
- The dress reference came from an ad in the Santa Fe Decor catalog.
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